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Technological renewal and the rise of synthetic materials
Decorative Art 1950, published by Taschen, delves into the optimism and effervescent consumerism that marked the decade. After the deprivations of war, technological advances and construction innovations were fully exploited in peacetime, paving the way for a revolution in design and interior design. The rise of synthetic materials such as plastic, fiberglass, and latex profoundly shaped the style of the 1950s, breathing new life into the decorative world.
Reconstruction and the emergence of a modern style
The postwar period, marked by rising incomes and a vast movement of reconstruction, transformed urban and suburban landscapes on both sides of the Atlantic. The construction of new housing accelerated, accompanied by a new way of life in which modern comfort and contemporary aesthetics took center stage. In Europe, design was distinguished by abundant inventiveness, while in the United States, the quest for an idealized future largely influenced trends. Between these two influences, a singular modern style emerged, combining innovation, functionality, and refinement, a balance that is reflected in the pages of this book.
Visionary design at the service of the art of living
This retrospective of the 1950s highlights the iconic works of visionary designers such as Charles and Ray Eames, George Nelson, Hans Wegner and Gio Ponti. Through their achievements, Decorative Art 1950 captures the essence of an era when design was asserting itself as a true art of living, shaping a more aesthetic, ergonomic and resolutely forward-looking daily life.
- authors: Charlotte & Peter Fiell
- languages: English, French and German
- 576 pages
| Description | Imperial | Metric |
|---|---|---|
| Width | 7.7" | 19.6 cm |
| Height | 10" | 25.5 cm |
| Weight | 3.3 lbs | 1.5 kg |
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